What’s obvious in all this is that it should not require high-level statistical analysis to appreciate Tim Raines as a special ballplayer. Nor should Raines’ legacy require the paternalistic approval of a bunch of writers who after a long season spent spinning melodrama from banality make it their business in the winter to draw sacred lines at some arbitrary point between goodness and greatness. Like all of the awards in baseball, induction into the Hall of Fame is purely subjective. The wall that Keri and company are banging their heads against on behalf of Tim Raines is invisible. And the best outcome of all that banging exists entirely apart from the Hall of Fame. The best outcome is that baseball fans are reminded—or even informed for the first time—about the dynamo that was Tim Raines.
It’s not lost on me that if the Hall of Fame stakes weren’t there, the Tim Raines appreciation society might not get the same amount of public attention. But that’s exactly the problem. Instead of appreciating baseball for all it offers and enjoying its stars for all they give us—which really is so much—we chose to give ourselves ulcers over the injustices committed by the BBWA.
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(Second in a series about things I inevitably feel compelled to compare to contemporary music criticism.)
